• Kategorie
  • Art, Japanese Woodblock Prints

392.88
szt. Do przechowalni
Wysyłka w ciągu 2-5 dni roboczych
Cena przesyłki 13.5
Paczkomaty InPost 13.5
InPost Kurier 17
Kurier DHL 19.7
Dostępność 6 szt.
ISBN 9783754400661

From Edouard Manet's portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe—but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity.

The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art—including, as Karl Marx put it, that "all that is solid melts into air"—were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.

This book lifts the veil on a much-loved but little-understood

Autor:
Andreas Marks
Oprawa:
twarda
Rok wydania:
2025
Format:
26,5x35
Data wydania:
2025-11-29
Status:
Nowość
Wydawca:
Taschen
Stron:
630